The Golden Gate

AnalPhilosoher asserts that it’s inappropriate for President Bush to call Jihadists fascists because “jihadists aren’t statists” (via Instapundit.)
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Okay, well, how can we square this assertion with the former Taliban government in Afghanistan or the current Iranian regime?
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If you read Paul Berman’s excellent book “Terror and Liberalism” (and everybody should), you’ll be AMAZED at just how many links there are between classic European fascism on the one hand and the Muslim movements we’re dealing with on the other. I mean what would you call the Baath movement of Iraq and of Syria but a classic fascist movement? (And you’ll find that their history is actually directly connected with European fascism). It’s true that the “Islamist” movements have some different wrinkles. But as the Buddhists say, are they more the same, or more different? And again, don’t forget about the Spanish Phalangists — widely considered to be a classic “fascist” movement — who incorporated the religous angle, albeit in a European and Christian form.

Here’s more Berman on the subject (but do check out his book.)

Also…we blogged about Berman and the meaning of Iraq at awhile back.

Personally, I am thrilled that Bush is finally articulating this.

Over at EU Referendum we see the Director’s Cut of Qana.

The narrative here is of how the combination of Hezbollah’s media management and modern photo-journalism has turned the recording of a tragic event into theatre, in the best tradition of Michael Moore.

As best we can, we have pieced together the jumble of evidence which surrounded the production of the iconic photographs which were published around the world, and put them in perspective. Many of the photographs have been used before, some are new to this site and others are video “grabs”. But it is not the pictures, per se, that tell the story, so much as their ordering and analysis. Make of this what you will, but I can assure you that you are not supposed to see them in this light.

The “story” - for that is what it is - starts here, in the wreckage of the buiding at Qana which is performing the temporary and unwholesome function of a morgue. It is from here, that the bodies are extracted, the essential props of this theatre. And standing on the left of the frame is one of the two star characters of our story, Mr “White Tee-Shirt”. With equal accuracy, though, we could call him Mr Hezbollah, for reasons which will become apparent [...]